The free consumption of music on streaming platforms
DOI:
https://doi.org/10.54886/ibersid.v16i2.4840Keywords:
Music industry, Streaming, Music for freeAbstract
The 60's and 70's were marked by protests against the cultural industry, with music traffic through MP3. To destroy online piracy, streaming platforms have emerged, offering “free” music. With this in mind, the general objective of the present research is to reflect on how the consumption of music interferes with its own representation. To this end, the following specif-ic objectives were established: a) to gather bibliog-raphy on the theme “free music”; b) investigate how information science can benefit people through the Internet of Things; c) highlight capitalism generated in the music market and the main points about streaming platforms and music sales. It is concluded that every technological performance of music is marked by the interest of the market (which has influenced and continues to influence cultural choices).
Downloads
References
Adorno, T. W.; Horkheimer, M. (1985). Dialética do esclarecimento: fragmentos filosóficos (GA Almeida, trad.). Rio de Janeiro: Jorge Zahar, 1985.
Aguiar, L. (2017). Let the music play? Free streaming and its effects on digital music consumption. // Information Economics and Policy. 41 (2017) 1-14.
Aguiar, L.; Waldfogel, J. (2018). Conforme o streaming atinge o estágio de inundação, isso estimula ou deprime as vendas de música?. // International Journal of Industrial Organization, 57 (2018) 278-307.
Baek, S.; Yoon, D. Y.; Lim, K. J.; Cho, Y. K.; Seo, Y. L.; Yun, E. J. (2018). The most downloaded and most cited articles in radiology journals: a comparative bibliometric analysis. // European Radiology. 28:11 (2018) 4832–4838.
Bauman, Z. (2008). Vida para consumo: a transformação das pessoas em mercadoria. Editora Schwarcz-Companhia das Letras, 2008.
Bourdieu, P. (2007). Escritos de educação. Petrópolis: Vozes, 2007.
Brown, T. S. (2020). Going Underground: The Politics of Free Music around 1968. Transposition. // Musique et Sciences Sociales. 2 (2020).
Danaher, B. Testimony of Brett Danaher (2014). Library of Congress. https://www.crb.gov/rate/14-CRB-0001-WR/statements/iHeartMedia/Vol%202_02%20Testimony%20of%20B%20Danaher%20and%20Appendices/2014_10_07_Testimony_of_B._Danaher.pdf (2020-12-15).
Datta, H.; Knox, G.; Bronnenberg, B. J. (2018). Changing their tune: How consumers’ adoption of online streaming affects music consumption and discovery. // Marketing Science. 37:1 (2018) 5-21.
Garofalo, R. (1999). From music publishing to MP3: Music and industry in the twentieth century. // American Music. (1999) 318-354.
Gervais, D. J.; Marcus, K. M.; Kilgore, L. E. (2010). The rise of 360 deals in the music industry. // Landslide. 3 (2010) 40.
Grant, M. J.; Booth, A. (2009). A typology of reviews: an analysis of 14 review types and associated methodologies. // Health information and libraries journal. 26:2 (2009) 91–108.
Hiller, R. S. (2016). Sales displacement and streaming music: Evidence from YouTube. // Information Economics and Policy. 34 (2016) 16-26.
Lima, J. L. O.; Alvares, L. (2012). Organização e representação da informação e do conhecimento. // Alvares, L. (Org.) (2012). Organização da informação e do conhecimento: conceitos, subsídios interdisciplinares e aplicações. São Paulo: B4 Editores, 2012. 21-48.
Morin, E. (1997). Cultura de massas no século xx: o espírito do tempo – 1 neurose. Rio de Janeiro: Fo-rense universitária.
Nguyen, G. D.; Dejean, S.; Moreau, F. (2014). On the complementarity between online and offline music consumption: the case of free streaming. // Journal of Cultural Economics. 38:4 (2014) 315-330.
Novellino, M. S. F. (1996). Instrumentos e metodologias de representação da informação. // Informação & Informação. 1:2 (1996) 37-45.
Orozco Gómez, G. (2005). O telespectador frente à televisão: uma exploração do processo de recep-ção televisiva. // Communicare. São Paulo, v. 5, n. 1, p. 27-42.
Papies, D.; Eggers, F.; Wlömert, N. (2011). Music for free? How free ad-funded downloads affect consumer choice. // Journal of the Academy of Marketing Science. 39:5 (2011) 777-794.
Rao, B. (1999). The Internet and the revolution in distribution: a cross-industry examination. // Technology in Society. 21:3 (1999) 287-306.
Richardson, J. (1986). Handbook of Theory and Research for the Sociology of Education. Westport: Greenwood, 1986.
Rozsa, V., Dutra, M. L., Pinto, A. L., & Muriel-Torrado, E. (2017). O paradigma tecnológico da Internet das coisas e sua relação com a ciência da informação. // Informação & Sociedade: Estudos. 27:3 (2017).
Underhiil, W. (2009). Music For Free, And It's Legal. // Newsweek International. 153:13 (2009).
Williams, J. P. (2011). Subcultural Theory: Traditions and Concepts. Cambridge: Polity Press, 2011.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Authors retain their copyright, but transfer the exploitation rights (reproduction, distribution, public communication and transformation) to the journal in a non-exclusive way and guarantee the right to the first publication of their work to the journal, which will be simultaneously subjected to the license CC BY-NC-ND. Authors take whole personal responsibility on fulfilling all the appropiate ethical codes and laws, and obtaining all the necessary copyright permissions regarding their articles. Institutional and self- archiving is allowed and encouraged.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
© 2007- . Authors retain their copyright, but transfer the exploitation rights (reproduction, distribution, public communication and transformation) to the journal in a non-exclusive way and guarantee the right to the first publication of their work to the journal, which will be simultaneously subjected to the license CC BY-NC-ND. Authors take whole personal responsibility on fulfilling all the appropiate ethical codes and laws, and obtaining all the necessary copyright permissions regarding their articles. Institutional and self- archiving is allowed and encouraged.
